Allo Darlin was where they found their feet and Europe was where they learnt to run. We Come From The Same Place is where Allo Darlin are bigger, bolder and better than before.
Kings and Queens gets renewed with a sledgehammer bassline, Half Heart Necklace is the song J Mascis forgot to write, and Bright Eyes sounds like it hitched a ride on Halley's Comet.
Bright Eyes is a duet between Elizabeth Morris and guitarist Paul Rains. It makes good the weak spot, Dreaming, in their back catalogue. Where Dreaming sounded like it was played for laughs, or karaoke, Bright Eyes is confident, playful, ragged and knocked about. It reminds me in a way of Otis and Carla's Tramp. This whole album has that loose Memphis groove.
Allo Darlin didn't get this good by accident. They've toured for most of the past 5 years. They didn't get rich and famous along the way. No one does at this end of the music business. So they still play for love. And it shows. I admire Elizabeth for turning down big money last year for a Benetton advert (for using an Allo Darlin song, I think, or maybe for a photo shoot - I sometimes forget stuff I'm told in the pub).
I admire her and the band heaps more for this record. Part of me thinks it will be their last because of the normal demands of earning money, raising families and living in separate countries might get in the way of making another record. If so, they leave on a high. If not, We Come From The Same Place will ensure them a bigger audience for the next one.
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