The Rain Parade recorded Emergency Third Rail Power Trip in 1983 with the conviction that Eight Miles High, We Can Work It Out and Forever Changes were the 1960s’ most essential artefacts, and that punk’s true legacy was Marquee Moon. I expect they liked Pink Floyd as well, but I won’t hold that against them because this is a phenomenal record.
Bucketfull of Brains named it the best album of the 1980s. Alan McGee tried to licence it for Creation. To know this psychedelic masterpiece is to love it. Over 10 years ago I started working in a second-hand record shop in London. On my first day a woman asked for Emergency Third Rail Power Trip. We didn’t have it.
A colleague told me she came in every week to ask for it. The next week I promised I’d copy it for her. She was delighted. I brought the copy into the shop the next day. The woman never came back. The only explanation is that she’d found a copy in another shop. Her search for the holy grail of modern psychedelia was over.
Real Gone Music are reissuing it in August. You need this album. It includes the follow-up mini album, Explosions In A Glass Palace, which is very good but not quite in the same league. By this time founding member David Roback had left The Rain Parade. Opal and Mazzy Star came next, which you know all about. Or if you don’t, go into record shops every week until you find a copy of Opal’s Early Recordings.
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