The Lodger - Let Her Go
Let Her Go was first released on the Angular label. It’s a collision of The Wolfhounds’ fury and The June Brides’ horn-driven melodic power. Slumberland did the smart thing and picked up the album.
Summer Cats - In June
When a label signs a band influenced by bands they've already released, I usually start to worry. No worries here, though, because Scott Stevens was in The Earthmen. This is a more pop outfit and they’re even better. File them next to The Aislers Set and Rocketship.
caUSE co-MOTION! - Which Way Is Up?
I’m pretty sure this band never practised. Maybe they’d never met each other before they went into the studio. It’s part of their singular charm. This is angular and catchy, like both sides of the C86 coin made good.
Bricolage - Turn U Over
It used to infuriate me that indiepop clubs or gigs would play the same old 1980s songs but never Bricolage. Turn U Over sounds like Orange Juice. Most of all they “Remember with deep regret/How we used to dance in the discotheque” and make that sound fresh for today.
Brown Recluse - Contour & Context
Baroque pop grandeur and harmonic soft pop in one record. They remind me of brilliant bands like The Pale Fountains, The Zombies and The Left Banke.
https://open.spotify.com/track/3WlTUG03YPruiFrqBlUUoH
Phil Wilson - Up To London
God Bless Jim Kennedy is basically the follow up to The June Brides’ all-time classic There Are Eight Million Stories...I’m not pretending this record took 25 years to make, but I’m certain it’ll last at least that long.
Crystal Stilts - Shattered Shine
Dramatically static and monochromatic like those early Felt singles with dysfunctional psych-punk like The Blue Orchids, Crystal Stilts were essential listening.
Big Troubles - Freudian Slips
This killer riff could surely withstand a nuclear war. It should have been inducted into the rock’n’roll hall of fame on its first week of release. It will outlast us all. [EDIT: SLR didn't release it - it's one of the great 7"s of the last decade, so it was an easy mistake to make. Big Troubles have other releases on SLR, all worth getting.]
Veronica Falls - Teenage
Doomed romance and jangly guitars. It could almost be the tagline for Slumberland. This is a modern classic of the genre.
Terry Malts - No Sir, I’m Not A Christian
90 seconds of sledgehammer bass, raging guitars and furious feedback. Did someone say Husker Du?
No comments:
Post a Comment